
PARKER Contemporary Presents
Clinton Barker • Carolyn Craig • Chris Hagen • Freyja Fristad • Pat Hoffie • Matthew Hurdle • Claudia Husband • Matthew Newkirk • Tim Mosely • Michael Phillips • Alethea Richter • Miguel Andres Villanueva • Ross Woodrow
Collectors are invited to engage with work that is both materially rich and intellectually engaged, offering not just a return to the physicality of art-making, but a deeper relationship with how art can speak to the time we live in.
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PARKER Contemporary presents a curated selection of material-led works that position printmaking and papermaking as vital and conceptually rigorous practices within contemporary art.
This presentation brings together artists whose works are grounded in analogue, process-based methods as deliberate strategies to explore urgent social, political and environmental questions. These material-led approaches speak to the power of slowness, tactility and repetition in a hyper-digital age, offering a space for reflection, resistance and renewal.
Too often, the word “print” is used as a catch-all, mistakenly associated with reproduction. But in the context of contemporary practice, printmaking is not a secondary ‘copy’ medium, it is a primary site of historical relevance, invention, experimentation and expression. Every work on display has been conceived and created directly by the artist through processes that are both technically and physically demanding as well as materially rich.
Here, traditional techniques such as lithography, relief, silkscreening, fibre-based papermaking and intaglio are reconsidered through a contemporary lens, where the act of making is inseparable from meaning. Labour, texture and process are not merely aesthetic but carry the weight of personal and collective narratives. Whether addressing environmental grief, cultural memory, or shifting identities, the works on view demonstrate the critical relevance of these historically grounded methods today.
PARKER Contemporary’s presentation speaks to the depth and diversity of contemporary printmaking practice emerging from Australia’s east coast. This is a celebration of artists working at the intersection of process and concept where materials are not neutral, but charged, and every mark or fibre is part of a larger inquiry and holds deep connection for the artist.
Materiality and processes serve as conceptual foundations throughout the work of Alethea Richter, Carolyn Craig, Chris Hagen, Claudia Husband, Clinton Barker, Freyja Fristad, Matthew Hurdle, Matthew Newkirk, Michael Phillips, Miguel Andres Villanueva, Pat Hoffie, Ross Woodrow, and Tim Mosely. Investigating identity, relationships, cultural memory, and material transformation, these artists negotiate the intersections of tradition and innovation within contemporary art taking these highly physical and tactile ways of making
Barker, Fristad and Villanueva synthethise Australian and cross-cultural influences, while Hurdle’s meditative approach similarly explores the human condition by pulping sackcloth and ash into paper as a metaphor for working through guilt and humility. Print as language is interrogated through Richter’s silkscreen prints, which contrast analogue tactility with the pixelated aesthetic of digital imagery, and Phillips’ multilayered relief prints reconfigure traditional syntax. Woodrow expands on this dialogue by anthropomorphising architectural elements in his shaped copper plate etchings, collapsing the past and present of classical ruins. Craig and Hoffie complicate notions of history and subjectivity, drawing from personal and cultural narratives, while Newkirk critiques cultural capitalism through the binary structures of silkscreen. Responding to the Australian landscape, Husband and Hagen, both Tamarind Institute-trained, foreground nature as a site of meaning, while Mosely’s reductive linocut relief print revisits the notion “wilderness” and “landscape”.
Held in national and international collections, these artists highlight the global significance of works on and of paper. This exhibition positions Australian print culture within a broader contemporary discourse, offering collectors immediate engagement and lasting value. Collectors are invited to engage with work that is both materially rich and intellectually engaged offering not just a return to the physicality of art-making, but a deeper investment in how art can speak to the time we live in.
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2024
Handmade paper made from hessian and ash
115 x 84.5cm
2024
Handmade paper made from hessian and ash
116 x 85cm
2024
Artist Proof
Drypoint on Somerset, mounted on cotton rag coated foam centred board with acid free mat. Image Size: 30cm x 43cm | Mount Size: 65cm x 77cm.
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2024
Artist Proof
Drypoint on Somerset, mounted on cotton rag coated foam centred board with acid free mat. Image Size: 30cm x 43cm | Mount Size: 65cm x 77cm.
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Handmade paper made from hessian and ash mounted on board by the artist
25.5 × 20.5 × 3.5cm
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Handmade paper made from hessian and ash mounted on board by the artist
25.5 × 20.5 × 3.5cm
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Handmade paper made from hessian and ash mounted on board by the artist
25.5 × 20.5 × 3.5cm
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2025
Hand printed silkscreen on Rives BFK
59.4 x 84.1 cm
Edition of 5
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2025
Hand printed silkscreen on 160gsm Fabriano,
21 x 29.7 cm
Edition of 25
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2025
Hand printed silkscreen on 160gsm Fabriano,
21 x 29.7 cm
Edition of 25
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2024
Long Weekends on Europa
Embossed Aluminium Artist Book
Open Edition
c. 5 x 5cm closed
5 x 40.5cm open
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2025
Monoprint Relief Etching and Blind Embossment on Rives BFK
27.5 x 25 cm
Edition of 4 + AP + BAT
1/4 to 4/4 - AVAILABLE
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2025
Monoprint Relief Etching and Blind Embossment on Rives BFK
25 x 25 cm
Edition of 10 + AP + BAT
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2025
Expired photo etching from a performance by the artist
Unframed 39 x 53 | Framed 52 x 64cm
Edition of 5 + AP
AP (Framed)
1/5 - SOLD
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2025
Expired photo etching from a performance by the artist
Unframed 39 x 53 | Framed 52 x 64cm
Edition of 5 + AP
AP (Framed)
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2025
Expired photo etching from a performance by the artist
Unframed 39 x 53 | Framed 52 x 64cm
Edition of 5 + AP
1/5 - SOLD
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2025
Expired photo etching from a performance by the artist
Unframed 39 x 53 | Framed 52 x 64cm
Edition of 5 + AP
2/5 - SOLD
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Handmade paper made from hessian and ash mounted on board by the artist
25.5 × 20.5 × 3.5cm
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2025
Handmade paper made from hessian and ash mounted on board
25.5 × 20.5 × 3.5cm
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2025
Handmade paper made from hessian and ash mounted on board by the artist
25.5 × 20.5 × 3.5cm
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2025
Handmade paper made from hessian and ash mounted on board
25.5 × 20.5 × 3.5cm
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2025
Handmade paper made from hessian and ash mounted on board
25.5 × 20.5 × 3.5cm
2025
Etching and aquatint from 3 shaped copper plates on Hahnemühle, Signed and editioned by the artist.
Frame: 29 × 24 cm
Edition of 6 + AP
AP - SOLD
1/6 to 6/6 - AVAILABLE
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2025
Etching and aquatint from shaped copper plates on Hahnemühle, in octagonal red frame. Signed and editioned by the artist.
c. 23 x 23cm
Edition of 3 + AP
1/3 Lusus Naturae - SOLD
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2025
Etching and aquatint from shaped copper plates on Hahnemühle, in octagonal red frame. Signed and editioned by the artist.
Paper: octagonal 67 × 23cm | Frame: 69 x 25 cm
Edition of 8 + AP
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2020
Plate Lithograph
Image Size: 41.5 x 32 cm | Paper Size: 53 x 40cm
Edition of 7
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2020
Plate Lithograph
Image Size: 41.5 x 32 cm | Paper Size: 53 x 40cm
Edition of 8
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2020
Plate Lithograph
Image Size: 41.5 x 32 cm | Paper Size: 53 x 40cm
Edition of 9
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Hand printed three colour silkscreen art tote on 370gsm 100% Heavy Duty Cotton Canvas Bag in black, with internal pocket and velcro, 40 × 44 × 10 cm.
Edition of 100, signed and numbered by the artist
1/100 to 12/100 - SOLD
13/100 to 100/100 - AVAILABLE
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2024
Handmade paper made from hessian and ash
112.5 x 83.5cm