Ross Woodrow
Born in Australia, lives in Brisbane.
Characterised by robust figures and suburban dramas, Woodrow has earned significant recognition, including winning the Gold Coast Art Award twice and Brisbane’s first major art prize, the GIO Art Award along with a solo exhibition at Phillip Bacon Galleries. Becoming a full-time artist also allowed him to complete an art history degree at the University of Queensland. After completing his studies, he left Queensland, first relocating to Canberra to work at the National Gallery of Australia, and later accepting a position at the School of Fine Art at the University of Newcastle in New South Wales. During this time, he held regular exhibitions in Newcastle and Sydney and earned both a Master of Philosophy and a Doctor of Philosophy from The University of Sydney.
While Woodrow has worked across most art mediums, his return to Queensland in 2006 to teach at the Queensland College of Art at Griffith University, marked a shift to an almost exclusive focus on printmaking. A pioneer in using the Internet for teaching and visual arts research, he offered Australia’s first online art theory course in the 1990s. However, his artistic focus on the graphic arts and historical print technologies stems from their ability to interrogate and explore the status and significance of iconic and symbolic images.
Woodrow’s research often centres on representations within the field of physiognomy, a recurring theme in both his writing and creative work. His engagement with the synergy between old and new technologies informs the critical operations underlying the muscular iconography in his prints. This approach makes his work conceptually rich, technically proficient, and deeply resonant in exploring the complexities of visual representation.
2024
Etching and aquatint from shaped copper plate on Hahnemühle 300gsm paper
Plate: Variable dimensions c.103.5 x 56cm
Image: Box mounted to 119 x 64.5cm behind shinkolite
Frame: 123 x 68.5cm in brushed-gold square moulding
(1/3 framed)
Edition of 3 + AP Printed in ultramarine and cerulean blue
2024
Etching and aquatint from shaped copper plate on Hahnemühle 300gsm
Plate: Variable dimensions c.103.5 x 56cm
Image: Box mounted to 119 x 64.5cm behind shinkolite
Frame: 123 x 68.5cm in brushed-gold square moulding
(1/3 framed)
Edition of 3 + AP Printed in green and yellow
2024
Etchings and aquatint from shaped copper plate on Hahnemühle 300gsm
Printed in purple and cerulean | Plate: Variable dimensions c. 73x 88cm
Image: 78.5 x 98.5 behind shinkolite | Frame: 82.5 x 102cm in brushed gold moulding each
Unique State (3)
2024
Etching and aquatint from shaped copper plate on Hahnemühle 300gsm paper
Printed in ultramarine blue | Plate: Variable dimensions c. 88x 68cm
Image: 104 x 72cm behind shinkolite | Frame: 108 x 80cm in brushed gold moulding
1/3 (Framed)
Edition of 3 + AP
2024
Etching and aquatint from shaped copper plate on Hahnemühle 300gsm
Printed in green and yellow | Plate: Variable dimensions c. 45cm x 55cm
Image: 51 x 62cm behind shinkolite | Frame: 56cm x 67.5cm in brushed gold moulding
Trail Proof T/P (Framed)
2024
Etching and aquatint from shaped copper plates on Hahnemüle 300gsm behind shinkolite and framed in brushed gold moulding. Various dimensions. Individual prices start from $275.
2007
Two-colour plate lithograph
Artist Proof
Image: 41.5cm x 28cm Frame: 53cm x 40cm
Edition of 15 (Sold Out)
Framed
Printed by Satoru Itazu, Tokyo
2020
Photopolymer intaglio on Magnani lncisioni 310gsm Off-White paper
Image: 30 x 30cm | Paper Size: 33 x 33cm | Frame 38 x 39cm
Artist's Proof (from folio box Isolation QCA 2020)
Edition of 19
2024
Etching and aquatint from copper plate on Hahnemühle 300gsm.
Framed by the artist in brushed gold moulding behind shinkolite.
2023
Copperplate etching and aquatint on Hahnemühle
Framed in light oak, shinkolite with 8-ply museum board mount
Image Size: 45 x 60cm | Frame external dimensions: 61 x 74.5cm
(3/6 framed)
Edition of 6 + AP (red)
2023
Copperplate etching and aquatint on Hahnemühle paper
Image size: 45 × 60cm
Edition of 6 + AP
2023
Copperplate etching and aquatint on Hahnemühle paper
Framed, in light oak, 61 x 74.5cm shinkolite with 8-ply museum board mount.
Image Size: 45 x 60cm | Frame external dimensions: 61 x 74.5cm
Trial Proof (framed) | 2 Trial Proofs (green)
2023
Copperplate etching and aquatint on Hahnemühle paper
Image Size: 45 x 60cm
Edition of 6 + AP
Copperplate etching and aquatint on Hahnemühle paper
Framed, in light oak, 61 x 74.5cm shinkolite with 8-ply museum board mount.
Image Size: 45 x 60cm | Frame external dimensions: 61 x 74.5cm
Trial Proof (framed), Edition of 6 + AP (red)
2023
Copperplate etching and aquatint on Hahnemühle paper
Framed in light oak, shinkolite with 8-ply museum board mount
Image Size: 45 x 60cm | Frame Size: 61 x 74.5cm (AP Framed)
Edition of 6 + AP (red)
2023
Copperplate etching and aquatint on Hahnemühle
Image Size: 45 x 60cm
Edition of 6 + AP (red)
2023
Copperplate etching and aquatint on Hahnemühle paper
Framed in light oak, shinkolite with 8-ply museum board mount
Image Size: 45 x 60cm | Frame external dimensions: 61 x 74.5cm
(3/6 framed)
Edition of 6 + AP (red)
2023
Copperplate etching and aquatint on Hahnemühle paper
Framed in light oak, shinkolite with 8-ply museum board mount
Image Size: 45 x 60cm | Frame external dimensions: 61 x 74.5cm
AP (framed)
Edition of 6 + AP
2024
Etching and aquatint from shaped copper plate on Hahnemühle 300gsm
Plate: Variable dimensions c.103.5 x 56cm
Image: Box mounted to 119 x 64.5cm behind shinkolite
Frame: 123 x 68.5cm in brushed-gold square moulding
(1/3 framed)
Edition of 3 + AP Printed in warm + ruby red and deep yellow