between 50 and 200 million years and 2025,
Tonerlith (plastic printer toner and marble), 30 × 40 × 1cm. Unique State.
Like time, an invisible force shaping our lives, plastic also exerts a lasting yet often unseen imprint on our existence. These works continue Parker’s interest in the complex interplay between organic and inorganic materials, echoing the intricate connections between human and non-human entities across geological time.
This work contributes to Parker seeking a "new aesthetic" alongside the grammar of contemporary printmaking to offer a deeper understanding, relationship and engagement with the trace of our milieu.
between 50 and 200 million years and 2025,
Tonerlith (plastic printer toner and marble), 30 × 40 × 1cm. Unique State.
Like time, an invisible force shaping our lives, plastic also exerts a lasting yet often unseen imprint on our existence. These works continue Parker’s interest in the complex interplay between organic and inorganic materials, echoing the intricate connections between human and non-human entities across geological time.
This work contributes to Parker seeking a "new aesthetic" alongside the grammar of contemporary printmaking to offer a deeper understanding, relationship and engagement with the trace of our milieu.
