Exhibitions & Art Fairs.

Claudia Husband: a/drift
Clouds drift across our skies with a quiet presence, evoking peace, joy, awe, and sometimes unease. Though untouchable, they hold immense power: absorbing, reflecting, and refracting light, they can obscure the sun and moon or amplify their intensity. From J.M.W Turner, John Constable and Thomas Cole, to Georgia O’Keefe, and Gerhard Richter, artists have endeavoured to capture the formation, reflectance and temperament of clouds.
a/drift presents a new body of work by Brisbane-based artist Claudia Husband that seeks to capture the essence of clouds, or rather, our fascination with them. The series of mezzotint prints and lithographs offer vignettes, windows and glimpses of cloud-like formations in an attempt to capture their ephemeral motion within the printed surface. The depiction of clouds as solitary forms may seem intuitive, but clouds rarely exist alone. Their portrayal as formations in isolation are often interpreted as an analogy for the human psyche, floating adrift, but inevitably drifting toward one another again.
Join us to celebrate this exhibition with the artist on Friday August 22
5.30pm - 7.30pm | RSVP Here

Sydney Contemporary 2025
REGISTER FOR SYDNEY CONTEMPORARY ARTWORK PREVIEW
Sydney Contemporary is Australasia’s premier art fair – the largest and most diverse gathering of leading contemporary art galleries from Australia, New Zealand, Asia and around the world.
Staged at Carriageworks, Australia’s largest multi-arts centre, the Fair welcomes over 95 emerging and established galleries, showcasing the work of over 500 artists presenting the best in contemporary and modern art.

Ross Woodrow: Order from Ruins
Featuring classical fragments of columns and capitals pulled from large copper-plate etchings, Woodrow references the agency and impact of these long-established and architectural orders not to advocate for a return to rules or codes, but to their scale, coloration, and muscular surface as a material metaphor and comparison to the human body. These columns and capitals, with their intricate, fluid and evolving character, manifest a millennia-old impulse to shape stone, marble, and now etched copper, into an anthropomorphic microcosmos, transcending any logical rules or ways of thinking. Experience this compelling dialogue between architecture and the human body up close, and discover how Woodrow’s practice invites you to rethink the boundaries of material, form, and meaning.
Exhibition Opening RSVP
Saturday February 15
3pm - 5pm